Subjectivity, Space, Mobility and Movement in Contemporary "Land of the Luas": Dublin's 'Fast City' in Recent Irish Writing On the Metaphorical Conceptualisation of Mobility Technologies in Poetry 341 Sven Strasen, Timo Lothmann and Peter Wenzel (Aachen) Mobility as a Threat in Late Eighteenth-Century Anti-Jacobin Writingīeing Moved: G.H. Transatlantic Mobility and British-American Periodical Literature of the Imperial Fate? Patterns of Global Mobility in Early Modern English Ingo Berensmeyer (Gießen) and Christoph Ehland (Paderborn) Religious Language in 17th-Century England: Progressive or Archaic? The Case of Thomas Middleton's A Game at ChessĪuthor-Politicians and Political Authors: The Example of Henry NevilleĬharacter Speech, Narration, and Individual Identity in Early Modern Prose 255Ĭider, Masculinity, and the Nation: Drink in Seventeenth-Century Britain Medial Pluralization and Censorship in the Early Seventeenth Century: Language, Literature and Culture in the 17th Century: Introduction New Perspectives on an Under-Rated PeriodĬlaudia Claridge (Duisburg-Essen), Jens Martin Gurr (Duisburg-Essen) and Section III: Language, Literature and Culture in the 17th Century: Ireland Online: Diaspora, Virtual Communities and the Question of "This is my voice, my weapon of choice": Grace Jones's Hurricane (2008)Īs Global Commodity and Postcolonial Critique "In the Name of God": Pakistani Film and the Global Discourse ofĮlizabeth I and Shakespeare as Postcolonial Media Icons Media Studies for a "Post-American World"Īchievers, Clones and Pirates: Indian Graphic Narrative Introduction: Postcolonial Media Cultures Lars Eckstein (Potsdam) and Lucia Krämer (Hannover) Questions of (National) Identity and Belonging in Bashabi Fraser'sĪ Devolved Cinema? The 'New' Scottish Film since the 1990sĭislocated Voices and Identity under (Re-)Construction The World According to McCall Smith, or: How Scottish is Scotland Street? 91 The Changing Geographies of Ian Rankin's Edinburgh: Crime and the City Late 20th- and Early 21st-Century Scottish Bestsellers and Scottishness The Promotion of Literature within Post-Devolution Scotland Post-Devolution Perceptions of Scottish Culture, Literature and Identity Staging Scottishness: The Homecoming Scotland Initiative and Makkin Yer Voice Heard: Scotland after Devolution: IntroductionĬhristoph Heyl (Bamberg / Frankfurt am Main) Silvia Mergenthal (Konstanz) and Sigrid Rieuwerts (Mainz) Section I: Makkin Yer Voice Heard: Scotland after Devolution Performative Hermeneutik durch mediendiversifizierte Fankulturen –Įine Skizze, oder: Wie ein etablierter literaturwissenschaftlicher Begriffĭas Verständnis gegenwärtiger Medienkulturen befruchten kann Überlegungen für eine Anglistik in der Mediengesellschaft:ĭon't Worry, Be Trendy: Shakespeares Rezeption Joachim Frenk and Lena Steveker (Saarbrücken)Įckart Voigts-Virchow und Nicola Glaubitz (Siegen) © WVT Wissenschaftlicher Verlag Trier, 2011 (Proceedings of the Conference of the GermanĪssociation of University Teachers of English Vol. The only routes with no mature content are Mizuki and Aoba's extra stories.Įach of the treasure chests on the main screen reveals an extra bonus for the player to experience.Trier: WVT Wissenschaftlicher Verlag Trier, 2011 Re:connect is much more explicit than the first game, each good and bad ending all containing sex scenes.The bad endings have more scenes that were not included in the first game due to memory space.Aoba's past is revisited, including scenes with him as a child with his parents, and as Sly Blue in adolescence, with younger Virus and Trip.The main four, Noiz, Koujaku, Mink and Clear, including Ren now have their own good ending songs.Light Blue - Aoba Seragaki's back storyĪfter completing all six routes (including watching the credits for both the good ends, bad ends and going through all the options provided), the white and light blue squares will be unlocked which reveals Mizuki's story and Aoba's back story respectively.The room has colored squares that symbolize the different routes Aoba has to take: Re:connect starts with an 8-bit version of Aoba in a room similar to Captive Princess, with various options that you can click to open up menus and routes. Re:connect's features extended scenes which include plot details and character expansions, as well as the aftermath of each ending and cliffhangers from the previous game.
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